If they do give it to the pro video division, they then have to choose whether to keep the more stills-focused cameras, or to go on with just the two hybrids. The GFX 50R is able to be relatively inexpensive because it uses an older sensor that doesn’t have the most recent imaging technologies – it makes up for it with its larger area. The L-mount lenses it accepts tend (with a few exceptions) to be big and heavy as well. The A7r III body is less well sealed, and less comfortable to handle, than either the Nikon or the newer Sony – the reason it is still on the market is cost, and it can be a viable option for Sony fans who want a modern high-resolution body, and don’t need either the very highest resolution or a more rugged body. The high-end lenses are expensive pairings with the midrange and low-end bodies, which can’t take advantage of their potential. An important factor when comparing digital cameras is also camera generation. However, there is still a lot of talk about that is new with the system, most notably the latest sensor. Right now, there is another interesting decision point between Nikon, Sony and Fujifilm. The lenses are both heavier and more expensive, and zooms, fast lenses and telephotos are far harder to find, if they exist at all. Nikon Z7 vs Sony A7R IV. The latter has a longer eye point (23mm vs 21mm on the Z7) and the refresh rate can go as high as 100fps (PAL) or 120fps (NTSC), whereas the Nikon is fixed at 60fps. The lens selection will always be better in full-frame, including fast primes and a wide range of zooms. The Nikon Z7 and the Sony Alpha A7R IV are two enthusiast cameras that were officially introduced, respectively, in August 2018 and July 2019. Maybe we need to rename these “small medium format” sensors after 127 superslide – they are certainly bigger than 24x36mm “full-frame”, but they’re not even near 645, which is traditionally the gateway to medium format? The 8k video mode will probably require a sensor at least 8192 pixels across (most speculation is assuming “true 8k” at 8192 pixels, rather than Quad UHD at 7680 pixels, although I haven’t seen that absolutely confirmed). It wants generic rangefinder muscle memory to find the controls – ideally either original Texas Leica or modern X-Pro/ XE variety Fujifilm APS-C. Actual Wetzlar Leica will do, too, as will Mamiya 6 or even Contax G series… The rangefinder body will appeal especially to street and portrait photographers, but don’t discount it for landscape, either. Sony Alpha A7R IV and Nikon Z7 compared objectively by Camerarace. I had it for about a month, made close to 1000 images with it (a mixture of test shots and “real” landscape images), and got to know it a bit – but I have nothing like the experience with Sony that I do with Nikon. If you want the best image quality you can afford and carry, one of these two cameras is likely to be your choice. Outstanding image quality; Excellent high ISOs; Fast AF performance with Eye-AF tracking; 10fps bursts at full-resolution; Improved ergonomics; Dual UHS-II card slots; Higher-res EVF. Without looking very closely at prints around 40×60” from both cameras, it would be very hard to tell. So far, Canon’s mirrorless body entries have been disappointing to serious photographers. Panasonic bodies with Leica lenses are one possible choice, as is a mixed system, although the body controls are very different. Unlike most camera manufacturers, Sony didn’t start with film cameras. Both the S1R and the related Leica SL2 use a variation of contrast-detect autofocus alone, giving up the speed of phase-detect AF for extreme precision and no chance of AF-related banding. One of these two excellent cameras offers the highest image quality and best overall shooting experience available to most advanced photographers today. However, the megapixel count is not the only important element determining the quality of an image. Many Canons handle very well – but the original EOS-R was widely criticized for a clever touch strip that didn’t do as good a job as the dial it replaced. We take a look at how these two cameras stack up against one another. Full-frame will always mean faster frame rates and faster AF. The new Nikon Z7 mirrorless camera with 24-70mm lens is now in stock at Amazon US. I only had two lenses with the A7r IV, a 24-105mm f4 and a 12-24mm f4, both good lenses, and the 12-24 has a unique perspective as one of the widest rectilinear full-frame lenses in the world. vs. Nikon Z7. The small difference in sensors between the Nikon Z7 and the Sony a7R III is the pixel image resolution and thus pixel size. Another important factor is the availability of image stabilization. Part 1- introduction and competitive landscape. They were large, but relatively traditional rangefinders, with a shutter speed dial on the top, and focusing and aperture controls on lens rings (a few of the later 645 models were autofocus and had slightly different controls). Sigma have generally made a few quirky bodies with oddball mounts. A7R III's built-in Image stabilization system is effective to compensate vibration up … As you can see, each camera and camera system has its pros and cons. Find out where the Z6 II wins! Will the brand-new Canon sensor have weaker dynamic range like its predecessor, or will it be closer to the Sony-derived sensors? Full-frame will always have a size and weight advantage, especially in the lenses. Both the Z7 and the A7R IV are mirrorless interchangeable lens cameras that are equipped with a full frame sensor. Both Nikon and Sony offer zoom lenses ranging from compact travel zooms to full-on professional f2.8 lenses and from ultrawide to extreme telephoto, while Fujifilm has three big, heavy, modest-speed zooms in the midrange of focal length. Find the best one in different shooting situations and the most suitable one for each photographic genre, thanks to an exclusive search engine that analyzes and compares their technical features through Artificial Intelligence. At first glance, that seems like a substantial resolution advantage in Sony’s favor. I’ve owned nine Nikons since then, more than any other brand, and have almost certainly made 50,000 or more images on Nikon cameras. I haven’t pushed the Z7’s video capability terribly hard, but the little I’ve done has been excellent. For photographers looking for the ultimate in image quality in a reasonably affordable and portable camera, two names stand out right now – Nikon Z7 and Sony A7r mk IV. For this reason, comparisons of one camera with an internal flash to another without will not be comparable. There is a small, intermediate class of lenses in the 4-6 lb weight range (mostly very long consumer zooms like the Nikkor 200-500 f5.6 and its competitors from Sigma and Tamron) that demand extra care on the FTZ – just throw a Blackrapid strap on the lens. The mode dial, exposure compensation, shutter speed dial and custom button (although later models add a second top-deck custom button) are all directly inherited from the RX1. If you’re familiar with the a7R line of cameras, you’re probably already well versed in what they have to offer, and I’ll spare you on talking about every little detail about the camera. It’s a close call against the Z7 or Sony’s own A7r IV, for example… Sony does have the well respected FS-line non-hybrid video cameras, which share E-mount lenses and some control philosophy with their still cameras. Today the famous photographer Matt Granger has compared the image quality between the Sony a7R IV, Nikon Z7 and Panasonic S1R.Check out! Compare Nikon Z7 (45.7MP) vs. Sony Alpha a7R III (42.4MP) on sensor size (43.13mm vs. 43.18mm diagonal), pixel pitch, pixel density and other specs. The GFX 100 sensor really is different, with twice the resolution of the GFX 50R and the dynamic range of a truly modern sensor. Sony’s video-centric hybrid, the A7sII, is really old, and it’s arguable whether it’s actually a better video camera than many video-capable still cameras. The third is the camera many of us have been waiting for – Canon’s EOS-R5. Image quality is very close to a wash, as the sensor size advantage of the Fujifilm is more or less neutralized by the newer technology and additional resolution of the Sony, and by the newer technology and lower base ISO of the Nikon. It seems to take the same price point as the A7R IV, but using the much older sensor from the A7R III. If you speak Nikonese, the Z7 does too, and that’s a big advantage. Depending on who’s setting resolution standards, 8K displays are either (most commonly) 7680×4320 pixels (4 times the resolution of Full HD 1080p in each direction, for 16x the area, sometimes called Quad UHD) or 8192×4320, occasionally 8192×4608 or 8192×5120 (Cinema 8K). The Sony a7R IV is the latest in Sony’s full-frame mirrorless system and is a feature-full camera system designed for the professional photographer. Kit with 24-70mm f/4 S lens and FTZ adapter. The goal will not be narrative film, but the fascinating art to be found on the edge between stills and motion – landscapes with blowing leaves, running rivers, rippling lakes or shifting dunes. If your technique and your printer are up to it, as of early June, 2020, nothing short of a GFX 100 will beat the image quality of these two contenders – and one of the two is likely to be more practical than the big GFX. I used eight Nikkor lenses (a mixture of my own, loaners from Nikon USA and rentals) in this review, and have used countless others on different bodies over the years. The Z7 has bigger pixels and a top deck display. Having a lot of screw-drive lenses, or one or two particularly valuable ones (an old exotic telephoto you don’t want to replace that is neither the current AF-S nor the intermediate AF-I type, for example) is one of the best reasons to look at the D850. On the other hand, as long as Sony (who is ultimately responsible for the sensors in all of these cameras and many others as well) continues to develop the two sensor formats in parallel, the best superslide sensors will always offer more resolution, less noise and better dynamic range than the best full-frame sensors. Filed Under: Reviews Tagged With: GFX 100, Lieca, LiecaSL2, member, member-only, members, Members Only, Mirrorless, Nikon Mirrorless, Nikon Z7, Panasonic, sigma, Sony a7r IV, Sony Mirrorless. Will we see the 100 MP sensor in less expensive bodies? Sony a7R III vs a7R IV Image Quality Comparison. What will the very high-resolution video enable? They use the same sensor and extremely similar image processing – some reviewers find a very slight image quality difference in favor of the Leica, either due to microlenses and other sensor “toppings” or software improvements. I have used two other Sonys extensively – a NEX-7 and an original A7r, both years ago, and neither with lenses that really lived up to the bodies. vs. Sony Alpha a7 III. The full-frame EOS-R system has seen high-end lens introductions, but even the higher-end EOS-R body is decidedly midrange – a competitor to the Sony A7 III and Nikon Z6, not the A7r IV and the Z7. Right now, none of Panasonic’s true (non-hybrid) pro video cameras are L-mount, but that’s an obvious direction to go if pro video picks up the L-mount line. Specifications and performance are similar enough that the choice between them comes down to which control scheme you prefer. The Sony 90mm tends to blur out backgrounds with less geometric patterns than the Nikon 105mm. The Nikon Z7 II and the Sony Alpha A7R IV are two enthusiast cameras that were announced, respectively, in October 2020 and July 2019. Generally, newer sensors will outperform the older. While it’s not technically a rangefinder, having a perfectly standard electronic viewfinder, the GFX 50R really does handle like a Texas Leica. Canon EOS R5 vs Nikon Z7 II vs Panasonic S1R vs Sony A7R IV: Summary. Dan Wells, "Shuttterbug" on the trail, is a landscape photographer, long-distance hiker and student in the Master of Divinity program at Harvard Divinity School. Sony a7R IV vs. Nikon Z7 ... As a general rule, the bigger the sensor, the better the image quality. There are only two caveats about the FTZ – the most common one is that older screw-drive autofocus lenses become manual focus lenses on the Z7. I wish I had the best of Sony’s 50mm primes, to compare against my bitingly sharp 50mm f1.8 Z Nikkor in some test shots, and I wish I had a long lens for the Sony. The RX1 offered an accessory viewfinder that fit in the hot shoe – when the A7 and A7r came out, the permanent viewfinder was right there where a shoe-mounted viewfinder would be. Mine is joining me on hundreds of miles of the Pacific Crest Trail as soon as the trail opens. The optical quality of both the Nikon 105mm and the Sony 90mm is professional and the top-of-the line. The second caveat is that heavy lenses mounted on the FTZ should be carried by the lens, not the body. Looking for a Nikon Z7 vs Sony A7R IV comparison? Maximum effective ISO is an estimate of the highest sensitivity at which a camera can capture excellent quality photos. 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